Skip to main content

Anti-Venom for a Snake

2022  ·  Director  |  Written by Gerardo Garcia  |  Produced by Val Tan & Alex Jiang

1993, East Village, New York. When a provocateur drag queen loses her soulmate to AIDS, she struggles to pay rent and must fight to save her home and legacy.

Starring Jason A. Rodriguez

Press

Until Death Do Us Part

2022  ·  Writer & Director  |  Magical Realism

In a final act of love, a man turns his dead wife's body into a piano, in order to play their wedding march one last time and bring her back from the dead.

A Mother's Soliloquy

2020  ·  Writer & Director  •  Student Academy Awards Semi-Finalist

A recovering alcoholic must make a moral inventory in order to reconnect with her estranged son.

Written & Directed by Cameron Kostopoulos · Produced by Daphne Daniels · Photographed by Lana Nguyen

Summary & director's statement
Summary

"A Mother's Soliloquy" is a visual music film revolving around the cyclical nature of addiction, recovery, and relapse.

Told without dialogue, Soliloquy combines contemporary dance with a nonlinear narrative, using the human body as its primary means of expression. The project incorporates an original score with stylistic world-building to create an immersive experience, travelling inside the mind of a recovering addict as she faces her temptation.

The film hopes to shed light on the emotional and psychological pain often associated with recovery, with the intention of generating discourse around those suffering from addiction. With millions afflicted by alcoholism, Soliloquy explores the inner psyche of those affected, spinning an abstract story of the road to recovery.

Director's statement

'A Mother's Soliloquy' was born out of personal experiences with addiction at a young age. Growing up in a family disrupted by alcohol took a toll on my own upbringing, and seemingly kept my family trapped in an incessant cycle of relapse and recovery.

Inspired by my own experience, 'A Mother's Soliloquy' aims to capture the violent, cyclical nature of alcoholism, and its disruptive effect on the family. Structured loosely around the 12 Steps of AA, the story sympathizes with those suffering from addiction, while attempting to explore the psychological toll that addiction may take. 'Soliloquy' presents a raw, visceral look at one woman's decision to drink, portraying relapse with unapologetic honesty as we see the path to recovery cut short.

Told without dialogue, much of the film is communicated visually and abstractly, with the human body becoming its own unspoken form of dialogue. Through this abstraction, the film attempts to create a more layered, intimate atmosphere, allowing audiences to follow the story while simultaneously projecting their own experiences. The film combines a deep, electronic score with an experimental visual journey in order to tell a poem of grief, loss, and addiction, and a mother's struggle to overcome her temptation.

don't you wonder?

2021  ·  Writer, Director, Unreal Artist  |  Animation

When two extraterrestrial androids discover an uninhabitable planet Earth, they contemplate the meaning of life, religion, and human conquest.

Set 50,000 years in the future, "don't you wonder?" meditates on a post-human Earth through the lens of AI. This short film was written, directed, animated, and created solo by me.

Elastic

2022  ·  Writer, Director, Creator  |  Queer Cinema

With the help of a rubber band, a closeted Catholic boy forces himself to masturbate to straight porn.

Little Red Lie

2021  ·  Writer, Director, Creator  |  Dark Comedy

Two boyfriends weigh the moral pros and cons of lying about their sexuality in order to donate blood.

Pieces

2021  ·  Writer, Director, Creator  |  Experimental

An experimental short film combining Google Earth with voicemails from my father to ponder the meaning of "home".

Heartbeats

2020  ·  Writer, Director, Creator  |  Visual Poem

At the stroke of midnight, a puppet awakes. "Heartbeats" explores freedom, confinement, and isolation through the metaphor of a dancing puppet, utilizing vertical cinema to emphasize the brutality of his loneliness.

2016 – 2019

Earlier works.

In the Light | USC Film Supplement (Accepted)

04:12

"We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." -Plato A boy must overcome his fear of the light in order to face the world around him. Film supplement for the University of Southern California's School of Cinematic Arts. Written, Directed, Filmed, Edited by Cameron Kostopoulos Featuring Joshua Kostopoulos Canon in D by Pachelbel, arr. Ryan Jones

"The Silence" | Experimental Student Short Film (2018)

04:10

*Intended to be watched with headphones.* ‘The Silence’ revolves, at first, around the Fermi paradox, a cosmological problem that questions why we have not yet been in contact with extraterrestrial life. Offering a possible answer to this paradox, ‘The Silence’ explores the corruption of good and the creation of evil, giving a critical point of view on humanity. Music by Karel Husa and Eric Whitacre. Footage used with permission. Edited by Cameron Kostopoulos.

Of Skin and Plastic (2018) | Student Short

03:19

'Of Skin and Plastic' centers around a man who, suffering from the death of the love of his life, turns his desire for human affection to the next closest thing: a mannequin. CAST Brian Pierce Katrin Schnellmann PRODUCTION SUPPORT Gerardo Garcia

"Metamorphosis" | Dark Avant-Garde Short Film feat. Philip Glass

05:58

Through the metaphor to a butterfly, 'Metamorphosis' conveys the emotions, experiences, and inner turmoils felt while experiencing transformation, highlighting the pain and conflict involved while de-romanticizing the conventional glorification. This film draws partial inspiration from Godfrey Reggio's film 'Koyaanisqatsi', featuring the composition 'Prophecies' by Philip Glass. Metamorphosis: A Filmic Exploration into Minimalism and Abstract Art Written and Directed by Cameron Kostopoulos Portrayed by Lauren Busocker Cinematography and Editing by Cameron Kostopoulos Choreography by Lauren Busocker Production Assistance from Mason Nickerson

The Puppet Master | Dance Short Film (2018)

05:05

Directed by Cameron Kostopoulos: www.ckostopo.com A story of power, control, and freedom. On one hand jocular, on the other metaphysical, "The Puppet Master" explores the dynamic between determinism and free will, presenting a fun, playful dance between a puppet and its master. FEATURING Asia McNair Jona Huang CINEMATOGRAPHY & EDITING Cameron Kostopoulos MUSIC "Strange Humors" by John Mackey

Einstein on the Beach: A Filmic Representation (Abstract Minimalist Short Film)

05:38

*Intended to be watched with headphones.* 'Einstein on the Beach: A Filmic Representation' attempts to visualize the beautiful, minimalist music composed by Philip Glass for the opera by the same name. Through reapplying the basic fundamentals of minimalism through visuals, this short film attempts to convey the origins of chaos and simplicity, the interplay between sight and sound, and the border between the real and surreal. Music by Philip Glass. Filmed and Edited by Cameron Kostopoulos. Special thanks to Matthew Ong, Jonathan Tang, and Juan Luna III.

Requiem | Experimental Short Film (2019)

05:03

Direction, Cinematography, & Editing by Cameron Kostopoulos. "Requiem" attempts to recontextualize the Renaissance in a postmodern society, exploring themes of identity, technology, and social expectations in relation to chronology, and in a broader scope, humanity. FEATURING Joshua Lozier Vasilisa Belokon Jacque Howard Antoinette Ricchio Sofia Rios-Dominguez Justice Schiappa SPECIAL THANKS Zachary Hernandez

PERSON(a) | Experimental Student Dance Film (2018)

05:19

PERSON(a) | An Ode to Jackson Pollock feat. Shostakovich's 'Second Waltz' "The persona is fittingly enough a kind of mask, designed on the one hand to make a definite impression upon others, and, on the other, to conceal the true nature of the individual." Jackson Pollock (1912-1956), best known for his iconic drip paintings, was a follower of Jungian psychology, which stressed the differentiation of the 'self' from the 'persona'. Faces and masks recur frequently in his earlier works, including in his painting 'The Mask' (1941), which illustrates this divide between the individual and the facade. In creating 'PERSON(a)', I sought to both provide a testament to this revolutionary artist, as well as translate his beliefs of identity into a more modern medium. In dividing the person from the person(a), whom I construct from the beginning as playful, curious, and peculiarly voyeuristic, I hope to provide insight into not only the way we carry ourselves, but in the way we view ourselves.